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Stop Giving Your Music Away!
By: Darrin Snider (darrin at indyintune dot com)Tuesday, October 1, 2013 7:00:00 PM
I've got a few pet
peeves when it comes to music marketing. Admittedly, some of them are
just my own personal tastes; some come from just general business sense (yes I
know some of you don't consider this a business). The big one that just
sets my teeth on edge as I see it more and more is musicians giving their music
away. I've heard the whole "It's all about getting people to hear us
at this point" argument, but honestly, you can do that with live shows ... heavens knows there are hundreds of
those that you can play for no money.
Name a company that became successful by giving their product away and I'll
show you either a product that wasn't worth paying for or the hidden catch
where they made their money back. Your intention by giving your music
away may be to say, "Hey, I'm cool and in touch with my fans," but
what it's saying at another, more-important level is, " I don't think this
is worth paying for." How many times are you out and a band hands
you a CD, unsolicited, or you pick up a CD off the freebie pile at one of the
local venues. How many times have you even bothered to listen to
it? How many times have you listened to it more than once?
If your audience likes your music enough to pay for it, you should be
flattered, and you should rest assured knowing that if they paid for your
music, odds are they're going to listen to it for a while. If you really
want to reward them for their loyalty, or even sweeten the deal for yourself,
here are five simple tried and true suggestions that have worked for other
bands at your level:
1. The Bonus Offer
Sell your CD's for a set
price, say $5. When selling them, however, throw in a second physical
copy or a digital download card for $1 -- not free, but something so stupidly
cheap they'll agree without thinking about it. Make it fun by telling
them the stipulation for getting the extra copy at that price is that they give
it away to a friend or a really cute member of the opposite sex in the venue
tonight. In one instance, I even placed a superfluous copy of a CD I
obtained under the windshield wiper of a random car in the parking lot.
(See photo above.)
2. Bundle it
This is similar to the
bonus offer, but this time, lead with another, more-expensive piece of
merchandise. That is, the CD's are $5, but if they buy a T-Shirt for $20,
they can have the CD for $1 instead. If they already have the CD, then to
them it's a bonus copy to be treated similarly to that in #1 above.
3. Give the Proceeds to Charity
I first saw this done
locally when Brian Deer donated the proceeds of sales of his album "Black
Cloud Talk" to Hurricane Rita victims. As he put it, everyone who
was going to buy the album already had it, he'd made his money back, and this
was a good way to sell a few more and finish off his inventory. It is
also a well known fact that the band Finer, has always given a sizable portion
of all of their musical revenue (performances and sales) to charity. Kinda
makes you feel guilty for not buying a second copy of that album now, doesn't
it?
4. Unofficial Releases and Bootlegs
Afraid you're pricing
yourself out of the market? Look, I've got a collection of soundboard
recordings from bands all over the city. While they're not stellar, they
are perfectly good representations of what each band does and what their music
is. If you're comfortable with this, consider making a few "authorized
bootlegs" and giving those away instead of your polished, studio
albums. In fact, we can all name a couple of bands that became successful
by encouraging their fans to do this for them.
5. Barter
This one can be a lot of fun. Every consumer of your
music has something of value to you. It may be as simple as signing up
for your mailing list or requiring them to write a review of your album on your
website. If it fits your image, make them do something completely
embarrassing (like go on a date with your bass player) in order to get your
music. Maybe they'll hate your CD, and your bass player, but they're
certain to remember you.
I know a lot of you guys think of yourselves as artists, and not
businessmen. I love you all for that, but really, even Picasso got paid
for his art. There's nothing shameful about it. And by the way, I
know what some of you are thinking right now. The "pay what it's
worth to you" model is just as bad. It may have worked for Radiohead
... once ... but your band isn't Radiohead. I never understood that model
because I simultaneously felt stupid for paying for something I didn't have to,
and a cheapskate for NOT paying enough for something I enjoyed. I would
appreciate you telling me up front what your music is worth, odds are I'll still
buy just to see if you're right.
Previous Post: In Depth: Endiana | Next Post: What Your Taste in LOCAL Music Says About You ... In the Sack |
Darrin Snider is the OCD music nerd responsible for creating Indy In-Tune. By day he's a cloud engineer and business analyst, but he still hopes to someday be an overnight freeform disc jockey married to the local weathergirl who happens to be a former eastern-European supermodel. |
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