
Most-Recent Entries
By: Ben Cannon, Bram Epstein, and Darrin Snider
Sunday, June 6, 2021
M.O.R. Episode 2 -- Ian Thomson
By: Ben Cannon, Bram Epstein, and Darrin Snider
Sunday, May 23, 2021
M.O.R. Episode 1 -- Mark Kelly
By: Ben Cannon, Bram Epstein, and Darrin Snider
Sunday, May 16, 2021
An In-Snide Look: I Think I Could Get Used to this Life Sometimes
By: Darrin Snider
Sunday, June 7, 2020
Getting Down to Earth with mOOnMen
By: Amy Foxworthy
Sunday, February 16, 2020
The Musical Journey of Jethro Easyfields
By: Amy Foxworthy
Tuesday, February 11, 2020
Monday Mixtape: Etwasprog
By: Darrin Snider
Monday, February 10, 2020
Monday Mixtape: Excerpts from the Summer of 2014
By: Darrin Snider
Monday, January 20, 2020
Mix Tape Monday: Mashin' it Up
By: Darrin Snider
Monday, January 13, 2020
Mix Tape Monday: Back to the Gym Workout
By: Darrin Snider
Monday, January 6, 2020
An In-Snide Look #39
By: Darrin Snider (darrin at indyintune dot com)Tuesday, January 7, 2014 11:30:00 PM

Aside from the evening's festivities, I was pleased to see that my friend Mike Myers will be playing a pick-up gig at Birdy's tomorrow night, his third gig there in the past month. Not sure if I've told the story here but Mike was a regular at Kolo's Wednesday open mic for as long as I can remember. Constantly he hounded me about getting him a gig or putting him on a bill, but in all fairness, and I would say this to his face, I found his habit of playing to pre-recorded synthetic tracks annoying, to the point that I was distracted from where is actual strength lay. One night back in November he showed up at Sabbatical's open mic without the gear and played a selection of new songs he had been writing but didn't yet have accompanying tracks for. I'm not sure if it was the change of scenery or the fact that the songs were new, but about halfway through the second number I was completely captivated by his performance. When he finished, without even realizing I'd said it out loud, I proclaimed, “Where the hell have those been for the past six years!?” The next night, already hatching a scheme in my mind, I caught him in the gents room before the usual Wednesday open mic and complimented him on his performance. “Can you do exactly that again tonight?” I asked. He indicated he would try, and so he did. As soon as he walked off stage, I declared that I wanted THAT set to open up PodConcert VI at Birdy's the next month. He is obviously not yet comfortable with playing “naked” as it were, and doesn't seem to have the confidence he should with just his voice and guitar, but I will go on record saying that his first performance at Birdy's, surrounded by his friends and a few new faces, was probably the finest I've ever seen him play, and obviously got the attention of the venue owners, who have made him the go-to guy whenever they need a strong opener for a new show.
Maybe I haven't contributed much lasting to the scene. I'll take some amout of credit for breaking Coy Koi, being the catalyist for the formation of Black Market Binary, and to a lesser extent than deserved, somehow getting credit for advancing Swig (Jamie Jackson's claim; not mine). Those three candles burned twice as bright and half as long it seems, but I'll forever be proud of getting Mike Myers noticed.
Previous Post: An In-Snide Look #38 | Next Post: An In-Snide Look #40 |
![]() |
Blog comments powered by Disqus
Today on Indy In-Tune
Listen Live: |
![]() | |
12:00 AM: | Random Access Music |
6:00 AM: | Artist Spotlight |
7:00 AM: | Local Is Our Genre |
8:00 AM: | Work Safe Weekday Music |
6:00 PM: | Artist Spotlight |
7:00 PM: | Friday on the Fringe |
10:00 PM: | Anita Vokill's Return to Space |
11:00 PM: | Artist Spotlight |
* Schedule subject to change without notice. Sorry, but that's rock and roll.
Solicitations and Submissions
Solicitations for blog posts can be made by sending and email to "blog -at- indyintune -dot- com" and should follow these guidelines:
- Local (Indianapolis-based) acts always have priority.
- Visisting acts playing a bill with one or more local acts are also considered.
- We generally don't like to repeat content found on other sites. If your request already has a lot of coverage on other sites, it will be considered low-priority unless you can give us an exclusive angle.
- For obvious reasons, we don't do solicited album reviews, though we do appreciate you letting us know when you have a new release. Consider coming in and talking about the album yourself live on the air or a podcast.
- All of our staff writers are unpaid enthusiasts. All requests for blog posts are entirely at their descretion.
- As such, they generally need a lot of lead-time to put something out -- we're talking weeks of lead time, not hours.
- That said, individual authors have full authority to ignore the following guidelines and write whatever they want ... if you can convince them to.
- In addition, feel free to write your own post and submit it for posting as a "guest blogger." Those almost always get accepted.
- Finally, regional or national acts submitting without meeting the above guidelines are generally ignored. We're not trying to be dicks, but if you send us a generic form-letter with your press release, and it doesn't even remotely concern a local artist or event, then you're not part of our core focus.